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| Datum: |
Aufnahmeort: |
|
14. Mai 1963 |
Columbia 30th Street Studio, New York City, USA |
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Musiker: |
| Miles Davis (tp); George Coleman (ts); Herbie Hancock (p); Ron Carter (b); Tony Williams (d) |
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Songtitel: |
Komponist: |
Spielzeit: |
| Studio chatter | 00:04 | |
| So Near, So Far (take ?) (false start & chatter) | T. Crombie-B. Green | 00:05 |
| So Near, So Far (take ?) (false start &
chatter) Carter starts off with "So Near, So Far," but after laughter Hancock plays the first few notes of "Seven Steps to Heaven." |
T. Crombie-B. Green | 00:08 |
| Seven Steps to Heaven (take ?) (false
start) Davis (to Carter): "Let Herbie try it, man." Carter gets the notes from Hancock; Davis counts off. |
V. Feldman-M. Davis | 00:18 |
| Seven Steps to Heaven (take ?) (false start) | V. Feldman-M. Davis | 00:10 |
| Studio chatter: Davis: "Okay. One, two..." |
00:11 | |
| Seven Steps to Heaven (take ?) (false start & chatter) Davis: "Faster, okay." |
V. Feldman-M. Davis | 00:08 |
| Joshua (take ?) | V. Feldman-M. Davis | 06:41 |
| Studio chatter: Davis: "That's the way it it goes, Teo." Macero: "Co 78341, remake, take one." |
00:10 | |
| Seven Steps to Heaven (remake take 1) (false start & chatter) | V. Feldman-M. Davis | 00:05 |
| Seven Steps to Heaven (remake take 1) (false start) | V. Feldman-M. Davis | 00:13 |
| Studio chatter: Davis: "Try it like..." Macero: "Two..." |
00:04 | |
| Seven Steps to Heaven (remake take 2) (incomplete) | V. Feldman-M. Davis | 00:12 |
| Studio chatter: Davis: "Try it like that... Stay on top of it." Macero: "Three..." |
00:04 | |
| Seven Steps to Heaven (remake take 3) (incomplete) Coleman muffs the opening theme. |
V. Feldman-M. Davis | 00:12 |
| Seven Steps to Heaven (remake take 3) (incomplete) | V. Feldman-M. Davis | 00:04 |
| Seven Steps to Heaven (remake take 3) | V. Feldman-M. Davis | 06:20 |
| Studio chatter: Davis: "How's that, Teo?" (Splice.) Coleman: "Yeah. let's try it. Let me see what I got here..." Davis: "Okay." Macero: "Rehearsal..." |
00:18 | |
| So Near, So Far (rehearsal take) (false start) Carter starts; Davis interrupts and counts off. |
T. Crombie-B. Green | 00:04 |
| So Near, So Far (rehearsal take) Issued take consists of Introduction take 1 (0:00-1:08), the middle of this take (1:08-5:54), and Insert 2 take 2 (5:54-6:59). |
T. Crombie-B. Green | 06:59 |
| Studio chatter: Macero: "We're taking..." Davis: "Hey, Teo." Macero: "Ah, this is 'So Near, So Far', Co 78343, take one..." |
00:12 | |
| So Near, So Far (take 1) (incomplete) | T. Crombie-B. Green | 01:10 |
| Studio chatter: Macero: "Take two..." |
00:05 | |
| So Near, So Far (take 2) | T. Crombie-B. Green | 07:19 |
| Studio chatter: Macero: "Insert one, take one..." |
00:07 | |
| So Near, So Far (insert 1) (take 1) | T. Crombie-B. Green | 00:20 |
| Studio chatter: Macero: "That seemed a little fast here, but maybe insert one, take two..." |
00:05 | |
| So Near, So Far (insert 1 take 2) (false start & chatter) Macero: "Insert one, take two..." |
T. Crombie-B. Green | 00:08 |
| So Near, So Far (insert 1 take 2) (false start) | T. Crombie-B. Green | 00:08 |
| So Near, So Far (insert 1 take 2) (incomplete) | T. Crombie-B. Green | 00:21 |
| Studio chatter: Macero: "One more. Insert one, take three..." |
00:04 | |
| So Near, So Far (insert 1 take 3) (incomplete) | T. Crombie-B. Green | 00:21 |
| Studio chatter: Davis: "All that tune..." Coleman: "He said what?" Davis: "Okay, take it again." Macero: "Insert one, take four." |
00:08 | |
| So Near, So Far (insert 1 take 4) (false start) | T. Crombie-B. Green | 00:02 |
| So Near, So Far (insert 1 take 4) | T. Crombie-B. Green | 00:21 |
| Studio chatter: Macero: "Okay, we'll splice that up, ah, before..." Davis: "Right on." Macero: "All right, this is, um, insert two, take one..." Hancock: "The intro, too, right?" Davis: "No, right on it." |
00:15 | |
| So Near, So Far (insert 2 take 1) (false start) | T. Crombie-B. Green | 00:02 |
| So Near, So Far (insert 2 take 1) (false start & chatter): Davis: "No, which way, now, man?" |
T. Crombie-B. Green | 00:03 |
| So Near, So Far (insert 2 take 1) | T. Crombie-B. Green | 00:36 |
| Studio chatter: Davis: "George, don't play that F. No." Macero: "Insert two, take two." (Someone sings.) Coleman: "There's one down there?" Davis: "Yeah, well, man, ain't you got one written there?" Hancock: "There's a G minor seventh." Coleman: "Say Miles, goin' out, though, we play the whole thing, on the turnback, on the second ending... But goin' out..." Macero: "this is still insert two, take two..." |
00:27 | |
| So Near, So Far (insert 2 take 2) (incomplete) | T. Crombie-B. Green | 01:02 |
| Studio chatter: Macero: "We'll play that back." |
00:06 | |
| So Near, So Far (insert 2 take 3) | T. Crombie-B. Green | 01:03 |
| Studio chatter: Davis: "Hey Teo, I wanna hear that, I wanna hear how that sounds, y'know?" Macero: "Oh, this is, uh, Intro, take one..." |
00:08 | |
| So Near, So Far (intro take 1) | T. Crombie-B. Green | 01:12 |
| Studio chatter: Davis: "That's the first chorus..." Macero: "Okay." Davis: "...you know, down to the last part, y'know, then you go to that first rehearsal take, Teo." Macero: "And then use this last, uh, take three for the ending." Davis: "Yeah." |
||
| Studio chatter: Macero: "'Joshua' remake, Co 78344, take one..." |
00:13 | |
| Joshua (remake take 1) (false start) | V. Feldman | 00:12 |
| Studio chatter: Davis (sounds irritated): "EIGHT bars... One, two, three..." |
||
| Joshua (remake take 2) (incomplete) | V. Feldman | 00:07 |
| Studio chatter: Davis coughs, much laughter. Macero: "Three..." |
00:04 | |
| Joshua (remake take 3) Issued take contains two edits: at 3:59 and 4:20; each removes eight bars of Coleman's solo (3:59-4:11 and 4:32-4:44 of original). |
V. Feldman | 07:21 |
| Studio chatter: Davis: "Play it." Macero: "Okay." |
00:05 | |
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CD |
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